Pausanias, Description of Greece (English) (XML Header) [genre: prose] [word count] [lemma count] [Paus.].
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10.29.5

Both the Greeks and the Egyptians have many legends about Dionysus. Underneath Phaedra is Chloris leaning against the knees of Thyia. He will not be mistaken who says that all during the lives of these women they remained friends. For Chloris came from Orchomenus in Boeotia, and the other was a daughter of Castalius from Parnassus. Other authorities have told their history, how that Thyia had connection with Poseidon, and how Chloris wedded Neleus, son of Poseidon.

10.29.6

Beside Thyia stands Procris, the daughter of Erechtheus, and after her Clymene, who is turning her back to Chloris. The poem the Returns
says that Clymene was a daughter of Minyas, that she married Cephalus the son of Deion, and that a son Iphiclus was born to them. The story of Procris is told by all men, how she had married Cephalus before Clymene, and in what way she was put to death by her husband.

10.29.7

Farther within from Clymene you will see Megara from Thebes. This Megara married Heracles, but was divorced by him in course of time, on the ground that he had lost the children he had by her, and so thought that his marriage with her was unlucky.

Above the heads of the women I have enumerated is the daughter of Salmoneus sitting on a rock, beside whom is standing Eriphyle, who is holding up the ends of her fingers along her neck through her tunic, and you will conjecture that in the folds of her tunic she is holding in one of her hands the famous necklace.

10.29.8

Beyond Eriphyle have been painted Elpenor and Odysseus. The latter is squatting on his feet, and holding his sword over the trench, towards which the seer Teiresias is advancing. After Teiresias is Anticleia, the mother of Odysseus, upon a rock. Elpenor has on instead of clothes a mat, such as is usual for sailors to wear.

10.29.9

Lower down than Odysseus are Theseus and Peirithous sitting upon chairs. The former is holding in his hands the sword of Peirithous and his own. Peirithous is looking at the swords, and you might conjecture that he is angry with them for having been useless and of no help in their daring adventures. Panyassis the poet says that Theseus and Peirithous did not sit chained to their chairs, but that the rock grew to their flesh and so served as chains.

10.29.10

The proverbial friendship of Theseus and Peirithous has been mentioned by Homer in both his poems. In the Odyssey
Odysseus says to the Phaeacians:— And now I should have seen more men of former days, whom I wished very much to see,
Theseus and Peirithous, renowned children of gods.
Hom. Od. 11.631 foll.And in the Iliad
he has made Nestor give advice to Agamemnon and Achilles, and speaking among others the following verses:— I have never yet seen such men, and I am never likely to see
As were Peirithous, Dryas, shepherd of the folk,
Caeneus, Exadius, god-like Polyphemus,
And Theseus, son of Aegeus, like to the immortals.
Hom. Il. 1.262 foll.

ch. 30 10.30.1

Next Polygnotus has painted the daughters of Pandareos. Homer makes Penelope say in a speech note that the parents of the maidens died because of the wrath of the gods, that they were reared as orphans by Aphrodite and received gifts from other goddesses: from Hera wisdom and beauty of form, from Artemis high stature, from Athena schooling in the works that befit women.

10.30.2

He goes on to say that Aphrodite ascended into heaven, wishing to secure for the girls a happy marriage, and in her absence they were carried off by the Harpies and given by them to the Furies. This is the story as given by Homer. Polygnotus has painted them as girls crowned with flowers and playing with dice, and gives them the names of Cameiro and Clytie. I must tell you that Pandareos was a Milesian from Miletus in Crete, and implicated in the theft of Tantalus and in the trick of the oath.

10.30.3

After the daughters of Pandareos is Antilochus, with one foot upon a rock and his face and head resting upon both hands, while after Antilochus is Agamemnon, leaning on a scepter beneath his left armpit, and holding up a staff in his hands. Protesilaus is seated with his gaze fixed on Achilles. Such is the posture of Protesilaus, and beyond Achilles is Patroclus standing. With the exception of Agamemnon these figures have no beard.

10.30.4

Beyond them has been painted Phocus as a stripling, and Iaseus, well bearded, is taking off a ring from the left hand of Phocus. The story about this is as follows. When Phocus, the son of Aeacus, had crossed from Aegina into what is now called Phocis, and wished to gain the rule over the men living on that part of the mainland, and to settle there himself, Iaseus conceived a great friendship for him. Among the gifts that Iaseus gave (as friends will) was a seal-ring, a stone set in gold. But when Phocus returned, not long afterwards, to Aegina, Peleus at once plotted to kill him. This is the reason why in the painting, as a reminder of their great friendship, Iaseus is anxious to look at the ring and Phocus has let him take it.



Pausanias, Description of Greece (English) (XML Header) [genre: prose] [word count] [lemma count] [Paus.].
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